Friday, March 28, 2014

Show-Feel-Do Maps

Students' storyboards and scripts are in full revision mode this week. Students created some great scripts with powerful examples of human rights violations and what their peers and community can do to help.

Some students at the beginning of the week were struggling to find their focus. They knew what information they wanted to include, but weren't sure how to make that information into a documentary.

I had done an organization activity with a few groups where we began with what we wanted our audience to do, what we needed them to feel in order to act, and what we needed to show them in order for them to feel that emotion. In short, I'm calling them Show-Feel-Do maps. It helped students to make a logical order and organization of what they wanted to achieve and how they needed to go about achieving it.


Students had to first answer the question, "What do you want your audience to do?" Most of what they came up with was a Call to Action or Response. They wanted their audience to do something after seeing their documentary: volunteer, donate, speak up, spread awareness, etc. So knowing they wanted to elicit a certain response, we talked about the fact that certain emotions elicit responses more quickly than others. People respond to guilt, happiness, anger, and sadness and can be moved to action if that emotion is rooted deeply enough. We then had the talk about what information would evoke what emotional response. How do people respond to children suffering? How do people respond to pictures of domestic violence victims? Students had to carefully consider not only how they were portraying information to get that emotional response, but to use that power carefully. Empathy for the people and groups they were representing was first on their mind as they decided what to show.

For some groups, this just helped to solidify the direction of their film. For others, this changed their whole approach.

As of Friday, half of our groups had begun filming and editing in iMovie. The other half are split: one quarter is ready to film as of Monday, the other quarter is still revising their scripts for approval.

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